For the past couple of months, my artist friends Missy Patrick and Gail Bramer and I have been planning to spend a few days plein air painting on Dauphin Island. We decided to spend 2 nights at a Bed and Breakfast (Dauphin House) on the island and thus spend 3 days painting to our hearts' delight. We completed our trip last Wednesday through Friday. Although cool and breezy, it turned out to be perfect for some intensive plein air painting, and there were endless subjects to paint on the island. We also had a few others join us for the day the first day or two of plein air painting. This turned out to be a wonderful way to learn from each other and hone our plein air painting skills; figure out what type gear was best; and scratch the surface on painting subjects on the island. Once we started painting, the cares and worries were left on the other side of the bridge. The island has a slower pace and a definite laid-back atmosphere; and parks and scenic views abound. The days started with the hearty B&B breakfast; ended with relaxed conversation and a glass of wine; followed by seafood dinner and early to bed. As Gail said, she was suffering from DI withdrawal once she returned back to Mobile. I completed a couple of watercolors in my journal the first day; and spent the rest of the time trying out my oils and palette knife. I don't know how well I captured the scenes, but it was definitely fun trying. We are looking forward to our next foray into some intensive plein air painting, and planning some day trips back to the island before too long.
Below is photo of Missy and me painting the marsh scene.
Below is scene in Little Billie Goat Hole looking toward the Estuarium and the Gazebo overlooking the marsh creation site.
Below is fishing pier and weather tower on the East End, with natural gas rigs in the background. There was a grey sky as a weather front moved through for these two oil paintings on the water.